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A five-hour theatrical deconstruction of the unfinished project that is the University Hospital in Zagreb and the figures and circumstances that surrounded it.
The youth in the performance, European youth of 2019, is the product of neoliberal capitalism. It is a youth divided into the weak and the strong, the losers and the winners, and a youth whose pronounced social Darwinism directly links them to Nazi students from 1936.
What are we regardless of flags, what are we when we try to live in the spirit of globality and openness, a spirit that certainly connects us to other people more than any flag or anthem?
What can be celebrated when nothing can be celebrated? What can be done when nothing can be done?
Who is really indebted to whom, why, and is all debt really sacred?
The slogan WHERE'S THE REVOLUTION SCUM? is a famous graffiti from Zagreb which appeared on the wall of student dorm Stjepan Radić during the 90ies. Unlike the slogan LMWCL, which is protected by copyright, the slogan WHERE'S THE REVOLUTION SCUM? is a public good. Its author is anonymous.
Little man works and does not get paid. Little man has a big heart. Little man struggles with loans. Little man does not play leading roles. Little man fights for his own existence. The voice of a little man is rarely heard... Are you a little man?
We explore variability of the physical training movement in contemporary dance and the ideas of socialist system in contemporary society.
The future is closer than you may think. Today, the young and resourceful of Croatia are responding to the challenges which are inevitably ahead of us tomorrow.
Who can get this country going? Is it the generation 55+, or is that responsibility, along with the accumulated debt, left to the youth? Will the generation 55+ leave this world disappointed? Can we save bits and pieces of solidarity left in our society? Is generation 55+ tired of life?
Phoebe Zeitgeist has come from a distant star to the planet Earth, to Kosztolányi Dezsõ theatre in Subotica, to make a report on human democracy.
Must the performer's personality be destroyed in order to destroy the performance itself?