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What are we regardless of flags, what are we when we try to live in the spirit of globality and openness, a spirit that certainly connects us to other people more than any flag or anthem?
We explore variability of the physical training movement in contemporary dance and the ideas of socialist system in contemporary society.
NO ONE IS INNOCENT is a dance project in the production of the Art Organization Protunapad.
DAMN HIS COUNTRY TRAITOR is a line from what used to be former Yugoslavia’s hymn, and the name of Oliver Frljić’s author project in the production of the Slovenian Youth Theater from Ljubljana. The dramaturgy of the play was executed by Borut Šeparović and Tomaž Toporišić. The play speaks of life and death, love and […]
MATERIAL 248 is a "soundtrack" dancing play in which new-wave music songs became the musical background and the structural element of stage motion. The choreography of the play is signed by Roberta Milevoj and the dramaturgy was done by Borut Šeparović.
Bahluli, Bilen, Budimir, Burić, Ćuk, Dedić, Džeba, Kovačić, Krasniqi, Mioč, Muzler, Penović, Pokrovac, Prša, Rodić, Sliško, Šakota, Šobot, Šiškić, Tači, Vrdoljak, Zahirović, Zečević. This list of names verifies that Zagreb has significantly more people linked with crime ending up in the crime coverage news than in prison. The out-of-theater adventure ZAGREB BY NIHGT begins exactly one minute before midnight and does not guarantee the viewers' safety.
TURBOFOLK is a cult play by the Croatian National Theatre Ivan pl. Zajc in Rijeka whose author is Oliver Frljić. The dramaturgy is signed by Borut Šeparović. TURBOFOLK discusses Balkan folk music and its accompanying effects on society, and in a shocking and cathartic way clears away the dark remains of former Yugoslavia’s inheritance.
The performance DHANU was dedicated to Thenmula Rajaratnam who blew herself up in a terrorist attack, taking with her the lives of 70 other people. The performance deals with the training and preparation that a terrorist/performer goes through to the final act of attack/performance. The author and performer was Sanja Mitrović, and the dramaturgy was […]
Here are my hands; empty, no prints. Here the breast hollow, no prints. The belly the neck, the spine, the feet, no prints.
If religion knows God, then it knows zero. If science knows nature, then it knows zero. If art knows harmony, rhythm and beauty, than it knows zero. If anyone knows the absolute, then they know zero.
A 45-minute dance video made in cooperation by MONTAЖ$TROJA and director Andreas Skipis in the production of the German TV house Hessischer Rundfunk.
In an abandoned and claustrophobic war shelter, two men and a woman desperately attempt to relate intimately. The yearning for love interchanges and is replaced by anger and violence.