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A five-hour theatrical deconstruction of the unfinished project that is the University Hospital in Zagreb and the figures and circumstances that surrounded it.
If we have lost faith in art, can we find new art in faith?
What can be celebrated when nothing can be celebrated? What can be done when nothing can be done?
Humanitarian event. Documentary performance. Public debate about rights to decide freely on the birth of children. LOVE & ECONOMY is a multimedia journey about destinies of our great-grandmothers, grandmothers and mothers…
A tour through the ruins of the never-finished University Hospital Zagreb. For the first time, the citizens of Zagreb and all those interested could explore the skeleton-frame of the building with expert guidance and a presentation of the results of research on both the beginning and the collapse of this colossal healthcare project.
Through a three-hour performance within a large space of a former factory hall emerges a symbolic reconstruction of an unfinished collective utopia. The performance space presents the story of the rise and fall of that utopia, as well as its uncertain future.
Must the performer's personality be destroyed in order to destroy the performance itself?
Since none of the authorities took responsibility for the dilapidated condition of Badel, the visitors did it themselves: they entered the space and participated in the activity at their own responsibility.
Good day and welcome to the action FIRESTARTER by MONTAЖ$TROJ. Dear visitors, right before you, on the slopes of Zagreb's hill Sljeme, you can observe the place that this country, its economy and business, its present and future. We repeat: the place that this country, its economy and business, its present and future.
It is easier for us to imagine the end of the world than the end of capitalism. We repeat! It is easier for us to imagine the end of the world than the end of capitalism!
To battle! To ranks! For MONTAЖ$TROJ!
MATERIAL 248 is a "soundtrack" dancing play in which new-wave music songs became the musical background and the structural element of stage motion. The choreography of the play is signed by Roberta Milevoj and the dramaturgy was done by Borut Šeparović.