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To battle! To ranks! For MONTAЖ$TROJ!
The play GENERATION 91-95 – CROATIAN HISTORY CLASS is an homage to the MONTAЖ$TROJ group, which started its activity 20 years ago in the Zagreb Youth Theater.
You will learn the rules. You will learn the spoken rules and the implied rules. You will learn the rules and their exceptions. Become an adjusted member of society.
MATERIAL 248 is a "soundtrack" dancing play in which new-wave music songs became the musical background and the structural element of stage motion. The choreography of the play is signed by Roberta Milevoj and the dramaturgy was done by Borut Šeparović.
Bahluli, Bilen, Budimir, Burić, Ćuk, Dedić, Džeba, Kovačić, Krasniqi, Mioč, Muzler, Penović, Pokrovac, Prša, Rodić, Sliško, Šakota, Šobot, Šiškić, Tači, Vrdoljak, Zahirović, Zečević. This list of names verifies that Zagreb has significantly more people linked with crime ending up in the crime coverage news than in prison. The out-of-theater adventure ZAGREB BY NIHGT begins exactly one minute before midnight and does not guarantee the viewers' safety.
What do an American woman recognizing herself in the Croatian identity, an Iraqi TV-reporter with the world's most expensive shoes, a controversial artist who ends up in the psychiatry ward due to his heroic exposure to danger and an embittered veteran in a desperate action to realize his denied rights have in common? To be more precise – what do Julienne Eden Bušić, Chris Burden, Muntadhar al-Zaid and Robert Kralj share? What is the connection between taboo, tajna (secret), taik, technology, television, territory, theater, theory, Tito, transition, tourism, trenutak (moment), tolerance and tactics? This shamelessly named performance offers that exact link: the T-factor. T-factor avoids definitions. T-factor acts much like pornography: you know it when you see it!