Projects Borut Šeparović – Page 3 – Montažstroj

BIKINI DEMOCRACY

BIKINI DEMOCRACY

Phoebe Zeitgeist has come from a distant star to the planet Earth, to Kosztolányi Dezsõ theatre in Subotica, to make a report on human democracy.

SAMPLE

SAMPLE

Must the performer's personality be destroyed in order to destroy the performance itself?

CLASS ENEMY

CLASS ENEMY

Can art change a human being? Can theater change the world? Must we stop being actors in order to become revolutionaries?

MAUSER

MAUSER

I am Ante Gotovina. I learned by heart the names of civilians killed during and after the operation Storm, whose names and age are known. This is possible only in the theater.

FIRE-TECHNICS 2.0

FIRE-TECHNICS 2.0

The five year plan failed. The ten year plan failed. Planning in the broader sense failed. Ambitions for a better life failed. People are digging around in dumpsters. This small country is a big pile of trash! Everyone’s appalled but nobody’s doing anything about it.

MY HEART BEATS FOR HER

MY HEART BEATS FOR HER

Did we fight for the Croatia we have today? – A play reported on by global media outlets, CNN and Reuters, offered an answer to a question asking who exactly represents Croatia, what kind of country do we want and love, in which moment do we win, and when are we forced to admit defeat.

THE FOOTBALL BOOT IN THE MUSEUM

THE FOOTBALL BOOT IN THE MUSEUM

To battle! To ranks! For MONTAЖ$TROJ!

GENERATION 91-95

GENERATION 91-95

The play GENERATION 91-95 – CROATIAN HISTORY CLASS is an homage to the MONTAЖ$TROJ group, which started its activity 20 years ago in the Zagreb Youth Theater.

T-FACTOR

T-FACTOR

You will learn the rules. You will learn the spoken rules and the implied rules. You will learn the rules and their exceptions. Become an adjusted member of society.

I FUCK ON THE FIRST DATE

I FUCK ON THE FIRST DATE

What do an American woman recognizing herself in the Croatian identity, an Iraqi TV-reporter with the world's most expensive shoes, a controversial artist who ends up in the psychiatry ward due to his heroic exposure to danger and an embittered veteran in a desperate action to realize his denied rights have in common? To be more precise – what do Julienne Eden Bušić, Chris Burden, Muntadhar al-Zaid and Robert Kralj share? What is the connection between taboo, tajna (secret), taik, technology, television, territory, theater, theory, Tito, transition, tourism, trenutak (moment), tolerance and tactics? This shamelessly named performance offers that exact link: the T-factor. T-factor avoids definitions. T-factor acts much like pornography: you know it when you see it!

TIMBUKTU

TIMBUKTU

A dog stands alone in the middle of a big stage. Around him remote-controlled cars directed by boys in the audience are buzzing. In spite of the “traffic jam” around him, the dog is concentrating on a single point in the full audience: the place where his trainer sits, who will guide him with orders through the performance. Unnoticeable and in the audience, there is an actor who will lend his voice to the dog.

THE THEATRE YOU DESERVE

THE THEATRE YOU DESERVE

Imperialism might be dead, but the Empire is still alive and well. Bombs, Money and the Media make up the backbone of modern political order.