Projekti – Page 4 – Montažstroj

B.D.L.2.0

B.D.L.2.0

Since none of the authorities took responsibility for the dilapidated condition of Badel, the visitors did it themselves: they entered the space and participated in the activity at their own responsibility.

FIRESTARTER

FIRESTARTER

Good day and welcome to the action FIRESTARTER by MONTAЖ$TROJ. Dear visitors, right before you, on the slopes of Zagreb's hill Sljeme, you can observe the place that this country, its economy and business, its present and future. We repeat: the place that this country, its economy and business, its present and future.

ACHTUNG ALARM! 2.0

ACHTUNG ALARM! 2.0

It is easier for us to imagine the end of the world than the end of capitalism. We repeat! It is easier for us to imagine the end of the world than the end of capitalism!

DAMN HIS COUNTRY TRAITOR

DAMN HIS COUNTRY TRAITOR

DAMN HIS COUNTRY TRAITOR is a line from what used to be former Yugoslavia’s hymn, and the name of Oliver Frljić’s author project in the production of the Slovenian Youth Theater from Ljubljana. The dramaturgy of the play was executed by Borut Šeparović and Tomaž Toporišić. The play speaks of life and death, love and […]

MY HEART BEATS FOR HER

MY HEART BEATS FOR HER

Did we fight for the Croatia we have today? – A play reported on by global media outlets, CNN and Reuters, offered an answer to a question asking who exactly represents Croatia, what kind of country do we want and love, in which moment do we win, and when are we forced to admit defeat.

THE FOOTBALL BOOT IN THE MUSEUM

THE FOOTBALL BOOT IN THE MUSEUM

To battle! To ranks! For MONTAЖ$TROJ!

GENERATION 91-95

GENERATION 91-95

The play GENERATION 91-95 – CROATIAN HISTORY CLASS is an homage to the MONTAЖ$TROJ group, which started its activity 20 years ago in the Zagreb Youth Theater.

T-FACTOR

T-FACTOR

You will learn the rules. You will learn the spoken rules and the implied rules. You will learn the rules and their exceptions. Become an adjusted member of society.

MATERIAL 248

MATERIAL 248

MATERIAL 248 is a "soundtrack" dancing play in which new-wave music songs became the musical background and the structural element of stage motion. The choreography of the play is signed by Roberta Milevoj and the dramaturgy was done by Borut Šeparović.

ZAGREB BY NIGHT

ZAGREB BY NIGHT

Bahluli, Bilen, Budimir, Burić, Ćuk, Dedić, Džeba, Kovačić, Krasniqi, Mioč, Muzler, Penović, Pokrovac, Prša, Rodić, Sliško, Šakota, Šobot, Šiškić, Tači, Vrdoljak, Zahirović, Zečević. This list of names verifies that Zagreb has significantly more people linked with crime ending up in the crime coverage news than in prison. The out-of-theater adventure ZAGREB BY NIHGT begins exactly one minute before midnight and does not guarantee the viewers' safety.

I FUCK ON THE FIRST DATE

I FUCK ON THE FIRST DATE

What do an American woman recognizing herself in the Croatian identity, an Iraqi TV-reporter with the world's most expensive shoes, a controversial artist who ends up in the psychiatry ward due to his heroic exposure to danger and an embittered veteran in a desperate action to realize his denied rights have in common? To be more precise – what do Julienne Eden Bušić, Chris Burden, Muntadhar al-Zaid and Robert Kralj share? What is the connection between taboo, tajna (secret), taik, technology, television, territory, theater, theory, Tito, transition, tourism, trenutak (moment), tolerance and tactics? This shamelessly named performance offers that exact link: the T-factor. T-factor avoids definitions. T-factor acts much like pornography: you know it when you see it!

TIMBUKTU

TIMBUKTU

A dog stands alone in the middle of a big stage. Around him remote-controlled cars directed by boys in the audience are buzzing. In spite of the “traffic jam” around him, the dog is concentrating on a single point in the full audience: the place where his trainer sits, who will guide him with orders through the performance. Unnoticeable and in the audience, there is an actor who will lend his voice to the dog.